Here are the 2022 Bird Photographer of the Year winners

“High up in the mountains, the wind, snow and cold maintain the iron grip of winter for many months on end. This is where Rock Ptarmigan thrive in an endless white landscape,” says Haarberg. “On this particular winter’s day, I was on my way to a mountain top. I had almost reached the summit when I spotted some ptarmigan tracks in the snow. Soon a bird took flight, with the dramatic backdrop showing what a harsh environment this bird calls home.”

Last autumn I spent a week on the tiny North Sea island of Heligoland. The weather was quite bad and I didn’t see a single nice sunrise. However, the opportunity to observe all kind of shorebirds made up for the conditions. When I saw a group of Dunlin struggling with a small sandstorm, I decided to risk my equipment and attempt to photograph them. I could really see on their faces how annoyed they were by the wind and sand flying everywhere. I sympathised with them. Sony A7R IV with Sony 400mm f/2.8 GM lens. Focal length 400mm; 1/1,250 second; f/2.8; ISO 125.

You know that springtime has arrived on the prairies of the Great Basin of the American West when the Sage Grouse gather at their leks. On these traditional display grounds, males of this Near Threatened species perform their strutting displays in the hope of winning the right to mate. This behaviour is for the benefit of the females, which judge the talent show and select the best genes to pass on to the next generation. I arrived at the lek more than an hour before the birds so I could set up my hide without causing disturbance. Similarly, with the best interests of the birds at heart, I packed up the hide only when the last bird had left the area. In previous years I had tried to capture this type of portrait shot but had been unsuccessful. However, on this particular morning my luck changed when this bird wandered close to my hide in full display. The photograph was taken without using baiting, calls, lures or unethical practices of any kind. Sony A1 with Sony 600mm f/4 GM lens and 1.4x teleconverter. Focal length 840mm

This image shows a small flock of Lesser and Greater flamingos as they fly over Lake Logipi in northern Kenya. Recent rains had covered the previously empty lake with a shallow depth of water. This had awakened dormant microscopic algae in the lake bed, which caused the red coloration in the image and mixed with yellow and brown sediment washed into the lake from the Suguta River. High rates of evaporation resulting from searing air temperatures had begun to produce soda salt floes on the lake surface. Huge numbers of flamingos regularly gather on this remote lake to feed on the specialist brine invertebrates here, which themselves feed on the algae. I took this image from a light aircraft with the doors removed on one side. Canon R5 with Canon 24–105mm f/4 lens. Focal length 24mm; 1/3,200 second; f/5; ISO 500.

As the morning sun glistens over the surface of the ocean below, a pair of Atlantic Puffins beautifully stationed on a dramatic cliff edge reinforce the intimate bond that exists between them. Because of the intensity and sheer beauty of the colours being reflected off the sea, I decided to expose for the setting rather than the birds to create a silhouette of the puffins as they came together. This image perfectly captures the moment. Nikon D850 with Nikon 500mm f/4 lens. Focal length 500mm; 1/1,250 second; f/5.6; ISO 64.

This image was taken from the rooftop of one of the towering skyscraper buildings that dominate the skyline of Abu Dhabi. It shows a line of Greater Flamingos flying on a morning when fog covered the city and the only signs of the urban landscape were the tops of the buildings emerging from the blanket of mist. At the time it seemed a bit like a fantasy, a fleeting moment made surreal as the birds unexpectedly flew past. Fortunately, I was prepared for action and my zoom lens allowed me to frame the birds and capture the moment. Nikon Z 6 II with Nikon 70–200mm f/2.8 lens. Focal length 71mm; 1/500 second; f/7.1; ISO 100.

While most images of King Penguins seem to be of striking adult birds, there is a definite cuteness to the chicks in their brown ‘teddy bear’ plumage. This chick was asleep at Volunteer Point in the Falkland Islands, and I took the opportunity to capture the details around the beak, eye and ear, the latter seldom seen. Canon EOS 5D Mark IV with Canon 100–400mm f/4.5–5.6 II lens. Focal length 300mm; 1/160 second; f/8; ISO 500.

I have seen Purple-crested Turacos on hundreds of occasions and have always tried to take special photographs of them. They are such iconic African birds and are sought-after subjects. Unfortunately, they are shy characters and tend to avoid camera lenses. However, while birding in a small conservancy in the Lower Mpushini area near Pietermaritzburg my luck with them changed completely. Seemingly out of nowhere, this exquisite pair flew out from thick cover and landed a few metres in front of me while I was searching for African Emerald Cuckoos (Chrysococcyx cupreus) in the canopy. The turaco pair seemed much more interested in each other than in me, which allowed for some unbelievable photographic moments. All in all, it was a dream encounter and I felt privileged to share such an intimate moment with them. Canon R5 with Canon 600mm f/4 III lens. Focal length 600mm; 1/2,500 second; f/6.3; ISO 2,000.